clara schumann: piano trio analysis

A year after the composition of her piano trio, Robert composed his first piano trio, op.63. (202) 633-4174 Phone (202) 633-8052 Fax This gives everything a Romantic sound of yearning. It is one of only a few multi-movement works in her oeuvre, following the full four- xref Though the speed with which the trio was conceived seems surprising, Schumann himself felt that his creative process had become more time-consuming, as a post-1846 diary entry makes clear: I used to write practically all of my shorter pieces in the heat of inspiration, and many were completed with almost unthinkable rapidity. <> Now that that bits finally done, here are some more general melodic points: The overall texture of Schumanns Piano Trio is melody and accompaniment. [1], The 2nd movement consists of three sections; Scherzo, Trio, and Scherzo. Felix Mendelssohns, Elijah, Op. This paper traces the musical development of pianist and composer Clara Schumann (1819-1896) leading to the composition of the Piano Trio, Op. During the transition, the music modulates. This paper traces the musical development of pianist and composer Clara Schumann (1819-1896) leading to the composition of the Piano Trio, Op. The musical collaboration between Clara and Robert Schumann was productive due both to the close nature of their relationship and their mutual respect for each other's musicianship. Winkler, Manitoba. 1 (not her actual first compositions) had been published when she was 11 years old, to be followed by numerous other solo piano pieces and her Concerto. 63, written the following year. It is more disjunct than previous melodic ideas, with a characteristic interval of a falling 4th. )?@faK#CJ9XMDQc:yU0x. endobj (Roberts own G-minor Piano Trio would be composed in 1851.) 140 0 obj Bar 5 forms a short ascending sequence. This piano trio has four movements instead of three, and contains two sonata-form outer movements, a scherzo second movement, and this slower third movement. 70: Chorus, And then shall your light break forth. with an extensive musical education. It begins with an anacrusis and again is mostly conjunct. 54, is the only piano concerto written by Schumann and one of the most intimate of his large-scale works. Required fields are marked *. Breaking with convention, she inserts a Scherzo before the slow movement. Brahms: Double Concerto; Clara Schumann: Piano Trio, Clara Schumann: Piano Trio; Fanny Mendelssohn: Piano Trios; String Quartet, The Leipzig Circle, Vol. While Clara was on tour in Paris shortly before their wedding, for example, Robert had written her: I have just read your letter in which you write, If I remain in Dresden for one year I will be forgotten as an artist . To celebrate, we've collected five string pieces from Welsh composers new and old. %PDF-1.7 % The Four Polonaises of her Op. <>/MediaBox[0 0 612 792]/Parent 132 0 R/Resources<>/ProcSet[/PDF/Text/ImageC]/XObject<>>>/Rotate 0/Type/Page>> chamber music a listener s guide keller james. Their influences were mutual composed in 1846, Claras Piano Trio in G minor, Op. intimate genres of song, sonata, trio, and piano miniature. Happily, Claras trio was well received in its initial private performances, which may well have prompted the trio thoughts Robert recorded having near the beginning of June of 1847. Clara Schumann Piano Trio in G minor Op 17 (Mvt 1) // Friday Lunchtime Concert London Symphony Orchestra 197K subscribers Subscribe 169 13K views 3 years ago A live lunchtime concert from LSO. The middle section is in the relative E minor and is louder dynamically. Clara puts her Bach studies to use in the development section, a confident excursion into counterpoint, and uses a scholarly and controlled approach to a section that other composers of the time dealt with more freely, even sloppily. Notwithstanding the change in her condition (which she had initially discovered in early April, just two months after the birth of her previous child) recorded in the Schumann household diary for that date, she played a public concert the next day. - Youtube videos - Analysis of each element - Questions to consider - Wider listening ideas with a task for students to . The mood of 1c is a sudden shift from the music beforehand, using dotted notes and staccato articulation to establish a more angry, almost aggressive tone. One of her finest compositional achievements, it was performed regularly throughout the nineteenth century. But putting Robert first, caring for their growing family (eventually they would have eight children), and concert tours left little time for composing. It was written in 1846, during a traumatic and harrowing period of her troubled life. 17; Drei Romanzen, Op. Schumann, Clara, 1819-1896--Criticism and interpretation, Schumann, Clara, 1819-1896. exhibits a level of maturity comparable to the major trios of the time and is [4], The last movement, Allegretto, is in sonata form again. 173 0 obj Conventions are completely different for major key pieces. In bar 103 in the cello part it becomes a, The cello doesnt suddenly become a violin when it plays in the treble clef! endobj She was devoted to him and ardently promoted his work. Improvisation at the Piano - Brian Chung 2007-03-02 This balance makes it clear that Clara had a great understanding of writing for these three instruments although she was a pianist. 0000006862 00000 n Unfortunately, the anthologies are very expensive. Indeed, numerous commentators rank the D minor trio among his very finest chamber music productions. Having said that, its important to remember that the harmony is still diatonic and functional! endobj % All rights reserved. You can really tell that she was a pianist though it has by far the most prominent and difficult part! Written in 1846, the Piano Trio in G minor, opus 17 was Clara Schumann only piano trio. The beginning of the first movement's "Clara" theme returns in the clarinets and bassoons, harmonized in a way that suggests distant horn calls. Clara Schumann About this Piece Robert's own story had no such ending, as the Dsseldorf situation and his health - physical and mental - deteriorated together. <>stream In the lead-in to 1c, Schumann includes that special chord progression of Ic V7 I. During the transition, the music modulates. As an A* ex-A level music student myself, I know all the best tips and tricks for doing well in your exam. It is more lyrical and sustained than previous themes, using longer minims and tied notes. 11, Clara Schumann: Piano Trio in G minor; Camille Saint-Sans: Piano Trio in F major. Grace Williams: Violin Sonata. Washington, DC 20013-7012 The union was fiercely opposed by Claras father Friedrich, who had guided the pianistic development of both. A similar amount of time yielded the twenty songs of the cycle Dichterliebe . Tonality and structure are greatly intertwined when it comes to sonata form. The amount of items that will be exported is indicated in the bubble next to export format. It's Clara Schumann's bicentenary and time to put this superwoman pianist and composer into the spotlight. 147 0 obj During the transition, the music modulates to the relative major. In the mid-1840s, they both made a close study of Bach and Clara emerged with a fine hand at counterpoint. Even so, the composer never relaxes the music's lyrical urgency. There is a lot of high register playing for the cello which is accompanied with a counter melody in the violin. Piano Trio in G minor, Op.17 (Schumann, Clara) Movements/Sections Mov'ts/Sec's: 4 movements Composition Year 1846 Genre Categories: . 0000004245 00000 n As the 19th century's most important woman pianist, Clara Schumann thus contributed to the piano repertory still expected and performed today. Learn more. These include G minor in bar 65 and Eb major in bar 69. 0 For more information . A contemporary classical flutist, educator, entrepreneur, and marketing communications professional on a mission to celebrate marginalized voices, particularly from Black and Latinx cultures. 0000008596 00000 n Romantic harmony uses a system of tension with lots of, Rhythm, metre and tempo of Clara Schumann Piano Trio, 1a is the main melody explored in the development. The movement's exposition is recapitulated in full, now building to a dramatic -- yet not stormy -- coda that expertly releases most of its tension just before the final chords. her most performed work in the nineteenth century. The sonata-form first movement is filled with Romantic ardor, from its urgent lyrical themes tinged with longing, to its vigorous contrapuntal development section, to its brief, driving coda. Piano Trio (Clara Schumann) Read Written in 1846, the Piano Trio in G minor, opus 17 by Clara Schumann was her only piano trio [1] and was composed during her stay in Dresden 1845-1846. It was also played in Vienna on 16 November 1862, with Brahms himself at the piano supported by members of the Hellmesberger Quartet. Clara Josephine Schumann ([klaa uman]; ne Wieck; 13 September 1819 - 20 May 1896) was a German pianist, composer, and piano teacher.Regarded as one of the most distinguished pianists of the Romantic era, she exerted her influence over the course of a 61-year concert career, changing the format and repertoire of the piano recital by lessening the importance of purely virtuosic . As long as you can pinpoint the chord and know what it sounds like, youll be able to answer harmony questions easily! This is called a tonal surprise. The substantial first movement, Allegro moderato, could pass for one of her husband's with its stern yet somewhat yearning, lyrical first subject, and the second subject is lighter, chordal, and syncopated. features unique to her own compositional style. (an Im tentatively assuming most of the people reading this will already have the A Level Anthology of Music recommended by Edexcel. Schumann completed the Op. 0000005631 00000 n I will only point out the interesting bits, however, as this article is already way too long! In March of 1846, Robert had experienced a temporary relapse of his illness and depression of the previous two years, during which, he reported, there were times when he had not really been able to abide music for quite a while, as it cuts into my nerves as if with knives, a sorry state indeed for a man his doctor described as addicted to his one usualone and only!occupation, composing. (Despite his investment of time in this activity, the substantial income Robert eventually realized from the ongoing sale of his compositions began to arrive only in 1849.) You can find bars of monophony scattered throughout the movement. A selected listening discography lists outstanding recorded performances of the featured compositions. 17, and Roberts Trio No. Clara varies it in an extraordinary episode in A minor, and she references other material from the previous movements as well. If I only achieve this muchthat you have nothing more to do with the publicI will have achieved my greatest aspiration. But despite her husbands controlling wishes, by 1842 Frau Schumann-ne-Wiecks career was again in full swing. Her husband Robert Schumann was extremely ill. 1 in D minor, Op. In the recapitulation, the first subject should be in the tonic key. Robert attempted suicide in 1854 and spent the last two and a half years of his life in a sanatorium in Endenich, a suburb of Bonn. He published it anonymously as "Pianoforte Sonata, dedicated to Clara by Florestan and Eusebius". Schumann uses lots of typically Romantic chromaticism throughout this movement. Create a free website or blog at WordPress.com. It's an unusual work for its time, when the more formulaic concerto would pitch the pianist into a battle for supremacy against the assembled orchestra. Similarly to 1a, 1c also acts as a musical question. 17, of 1846 holds a contested place in the nineteenth-century repertory. 0000003523 00000 n To export the items, click on the button corresponding with the preferred download format. Significant musicians from Claras The piece was written in 1846, a year in which she gave the premiere of Robert Schumann's piano concerto and had her fourth child. Of her twenty-one, generally small-scale compositions, the Piano Trio, The second subject is in G major, the tonic major. The export option will allow you to export the current search results of the entered query to a file. As is typical of early Romantic music, there are lots of perfect cadences in the music. <<5B3DA50424A6B2110A00002A8DCBFE7F>]/Prev 1021387>> Thanks to her constant touring, which almost always included performances of her own music, Clara was probably a better-known composer than Robert when they married. Clara puts her Bach studies to use in the development section, a confident excursion into counterpoint, and uses a scholarly and controlled approach to a section that other composers of the time dealt with more freely, even sloppily. This movement is in common time, which is essentially short-hand for 4/4. Only from the year 1845, when I began to invent and work out everything in my head, did a completely new method of composition begin to develop. With this new approach to writing, Schumann was again at his compositional best, after some years of self-doubt. She was referred to as the Queen of the Piano, and was instrumental (geddit?) As an A* ex-A level music student myself, I know all the best tips and tricks for doing well in your exam. You can hear examples in the violin part of bars 9-10 and the cello part of bar 11. Clara and Robert Schumann shared so many musical interests that after a few years of marriage, their compositions began to sound quite similar -- that is, Clara's started sounding more like Robert's. The scherzo proper is based on a playful, dotted rhythm known as a "Scotch snap." For details on how we use cookies, see our. Suspensions create yet more dissonance, such as those in bars 129-130 in the violin and cello parts. children. keystyle mmc corp login; thomson reuters drafting assistant user guide. In the recapitulation, the first subject is in G minor, the tonic key. Charles Rosen: Schuberts Inflections of Classical Form. Clara Schumann was a well-rounded professional musician of the highest caliber anchored in an outstanding education directed by her father that included piano, violin, theory, harmony, orchestration, counterpoint, fugue and composition with some of the finest teachers throughout Germany. Composer background [Accompanying PowerPoint provides illustrations] Clara Schumann (1819-1896) was a German concert pianist and composer. trailer Robert Schumann - 1810-1856 German Composer Primary types of composition: Piano . Reading alone will not help you absorb this information! 17" by his wife Clara. 0000003274 00000 n contemporaries. 143 0 obj I have tried to make all this information as concise as possible so you can get the best value for your time spent reading. <>/Border[0 0 0]/Rect[81.0 617.094 247.02 629.106]/Subtype/Link/Type/Annot>> chamber music a listener s guide criticism. new light on this work in particular and her abilities in general. Each instrument has equal importance, taking turns playing the lead. 0000041773 00000 n 0000031745 00000 n This always happens when Robert is composing. rXYTVMm")}Bkee6eIs~[nC0hZ(l{nC$@ h[Ul@t'cpw"!X!"r1N\jH! 138 0 obj Her mother, Marianne Tromliz, was a famous singer, and her father, Friedrich Wieck, was a music teacher. This speed is backed up by the BPM marking of crotchet = 152. 17, 88 & 110, Music@Menlo 2011: Through Brahms Disc 6: Schumann, C. Schumann, Brahms, Clara Schumann: Trio in G minor, Op. The second subject should be in the tonic key or the tonic major. 17. Some features of this site may not work without it. hb```f``YADX, B`~! Mo1b|qGP&Hc_ y,^ru'Wl\U1,}+_0|7p7OUysTQw>SUs^W}9CG 5D2JTuL`.2 If not, here is a link to where you can buy it. This post is all about A Level Music: Schumann Piano Trio. 17, was a direct influence on Roberts Piano Trio in D minor, Op. %PDF-1.5 It is a beautiful composition that years from now will delight our grandchildren and great-grandchildren. Schumann did not err in this assessment, for Mendelssohns D minor work hascontinued to occupy a favored spot in the trio repertoire, far surpassing in popularity his C minor trio of some six years later. The tempo marking for this movement is Allegro moderato, or moderately fast. Such doubts owed to her being a woman with During the development of the Trio, she was going through hardships in life. 2:8g\UA hk U@|cw;3>eLce81eVy Unexpectedly, Schumann's imagination flags somewhat in the routine harmonization of the Andante; these could be the bland chords in 3/4 time underlying any Victorian parlor song. This site uses cookies to offer you the best possible experience. 1 in D Minor, Op. Remember those two subject groups discussed above? A semi-working vacation for the Schumanns to the East Frisian island spa of Norderney in the North Sea designed to provide some much-needed relaxation was marred by Claras miscarriage on 26 July. Clara Looking at this history from a modern performer's perspective, she acknowledges neglected women composers and players including Fanny Mendelssohn, Maria Szymanowska, Clara Schumann, and Amy Beach. in the development of concerts. If you're not familiar with Clara Schumann's music, this collection of solo and chamber works provides an excellent and inexpensive overview. Department Music Description text Subject Schumann, Clara, 1819-1896--Criticism and interpretation This thorough and unique analysis offers new insights into the creation of the quartets, the wealth of musical customs and conventions on which they draw, the scope of their innovations, and their significance as reflections of Haydn's artistic personality. 63, Clara Schumann, Robert Schumann, Wolfgang Rihm: Piano Trios, Clara Schumann: Piano Concerto, Piano Trio & 3 Romances, Clara Schumann: Piano Trio in G minor, Op. endobj 63, written the following year. [4], Hall, George, "Schumann, Clara (Josephine)," in, Clara Schumann: Trio Fr Violine, Cello Und Klavier Op. However, the first bar of the transition has already arrived in Bb major. Soon after, the violin takes over the theme. 0000007296 00000 n The Smithsonian Chamber Music Society is a program of the National Museum of American History, Happily, Claras trio was well received in its initial private performances, which may well have prompted the trio thoughts Robert recorded having near the beginning of June of 1847. 136 38 %%EOF We can therefore find it on that lifesaver of a website, IMSLP. 1b acts as the answer to 1as question. Theirs was a passionate relationship, with music at the center of their lives. November 2013: Piano Trio in G minor, op. What is sometimes overlooked is that Clara Schumann was not only a virtuoso pianist but also a brilliant composer. There are examples in bars 7, 23 and 81.

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